![]() ![]() I have nothing against the two non-EON films (1967's Casino Royale and 1983's Never Say Never Again), but I can never truly enjoy their scores because neither was allowed to use the famous "James Bond theme", whose use is controlled by EON. Why the difference? The 21 I'm counting as the core canon are those produced by Broccoli/Saltzman, later just the Broccoli family (all of which I'll just refer to as EON Productions). But a search of various databases will turn up at least 23. Now, I consider the core canon of James Bond films to number 21, counting the newest. When is a James Bond score not a James Bond score? Careful listeners to the corresponding audio piece will notice that I mentioned that the new Chris Cornell song is the 18th Bond title song. Story Songs (such as Shirley Bassey's wonderful version of "Goldfinger") Bond Songs (including Nancy Sinatra's "You Only Live Twice") and Nonsense Songs (A-ha's "The Living Daylights" makes that list.) Trudeau has even broken the songs down into three handy categories: Movie-music maven Trudeau - Andy Trudeau - and Andrea Seabrook discuss the history of a highly specific genre. ![]() More than 20 times, Bond films have opened with an original song under the title credits - something that used to be a Hollywood staple and is now a rarity.įeatured performers have ranged from Shirley Bassey and Tom Jones to Duran Duran and Madonna (and don't forget Sheena Easton, Sir Paul McCartney and Wings, Carly Simon and Sheryl Crow). It's being promoted as all new - a new Bond (Daniel Craig), a new angle, new stunts, new "Bond girls." Yet in one way this new James Bond film will also prepetuate a much older Hollywood tradition: The theme song.Īnd we're not just talking about the familiar, driving James Bond theme. Theaters around the country await the latest addition to the James Bond collection: a new version of Casino Royale. His title songs aren't quite as consistent. Bond - now played by Daniel Craig - is often disarming, but rarely disarmed. ![]()
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